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LUMINATO 2013

The only thing I knew was that somehow Benatar was going to combine Baroque music and magic in one show.

Submitted Sun, 06/23/2013

The main topic of conversation revolved around the similarities between planning a meticulous and seamless meal that chefs study passionately, and the hours of deliberate and countless practice spent on delivering a flawless magical feat in front of an audience.

Submitted Wed, 06/19/2013

The setting proved an apt backdrop for Cohen’s act, which owes a considerable debt to Johann Hofzinser, the 19th-century Austrian known as the father of card magic.

 

Submitted Wed, 06/19/2013

We pay good money to people who can trick us. We long for the impossible, and what Miguel Puga does is impossible, but there it is.

Submitted Mon, 06/17/2013

t’s a short, sweet magic show where the assistant doesn’t mutely stand at the magician’s side in a sequined suit but plays a grand piano instead.

Submitted Sat, 06/15/2013

The piano gets equal billing in Miguel Puga and Miguel Aparicio’s show Concerto for Piano & Pasteboards, being presented in the opening days of Luminato. But this is really all about 90 minutes of Puga’s magic tricks, not the art of the keyboard.

Submitted Sat, 06/15/2013

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